Jelka Šutelj Adamič, Delo, Kultura, 2. april 2014
7 April 2014 • 10:53 Comments Off
Jelka Šutelj Adamič, Delo, Kultura, 2. april 2014
31 March 2014 • 9:17 Comments Off
10 March 2014 • 3:14 Comments Off
To find the art, you multiply the time by the square of the force
5 March 2014 • 22:51 Comments Off
5 March 2014 • 22:47 Comments Off
14 March – 13 April 2014
Artists: Florian Grond, Stefano Marotta, Roberto Russo, Irena Pivka, Brane Zorman, Arjan Pregl, Marcin Ramocki, Christian Rupp, Owen Smith, Igor Štromajer, Joakim Hansson, Tom Kerševan, Jurij Pavlica, Sendi Mango.
Igor Štromajer‘s 0§n–3¦é×F= Miá† exhibited at the GRO Gallery, Finland.
Defragmentation is a term which comes from technology. More specifically, it is related to the computer data storage system and concerns the process of rearranging data in order to speed up data retrieval. Upon reflection, this type of optimization simply means a more efficient use of the potential of such a device. Potential is not just something that is planned as part of the product design, it has a maximum, finite value. It is based on specific parameters, and determined only by existing needs and inventiveness/creativity. By rearranging data on the computer disk, thereby taking into consideration the device’s environment and record history, we create new electrical states, which mean a better device and progress in relation to the previous state.
The time and space which contemporary art occupies and in which it manifests itself also has potential of its own. The artist applies his or her creativity to rearrange it into different abstract and material structures. It draws upon a limited space and time for the sole reason of causing change in a given and opportune moment. This change is not irrelevant because it signifies progress. In the context of the showcased artworks and artists, defragmentation is therefore a word which highlights the process as something which necessarily improves on the previous state, an invention, art.
13 February 2014 • 0:19 Comments Off
21 February 2014
Streaming: Ivan Chabanaud Mosaika.tv
Technical assistance: Jan de Weille
Reader: Laurie Bellanca
Live stream at www.gaite-lyrique.net
An exercise in collective writing. A performance.
Marionettes / Scripting Reality / On Manipulation / Txt Theater / Public Collaboration Dynamics
12 February 2014 • 0:22 Comments Off
11 February 2014 • 12:32 Comments Off
18 November 2013 • 10:32 Comments Off
Pixxelpoint Festival 2013
Nova Gorica, 29 November – 6 December 2013
Igor Štromajer‘s 0§n–3¦é×F= Miá† exhibited at the Nova Gorica City Gallery.
Pixxelpoint 2013 Artists:
Primož Bizjak, Mark Durkan & Eilis McDonald, Florian Grond, Kensuke Koike, Marotta & Russo, Anja Medved, Jani Osojnik, Project59 (Irina Danilova, Hiram Levy, Dan Tuvlosky), Marcin Ramocki, Martin Romeo, Christian Rupp, Lena Lieselotte Schuster, Sašo Sedlaček, Owen F. Smith, Maja Smrekar, Igor Štromajer, Miha Turšič, Špela Petrič, Maja Murnik, Visoka šola za umetnost Univerze v Novi Gorici, Workshops with Pamela Barberi
+ PDF Catalog (Eng/Slo)
BridA / Tom Kerševan, Sendi Mango, Jurij Pavlica
4 November 2013 • 17:40 Comments Off
I Am Not Good Enough / Nu sunt suficient de bun
Artist Talk / Solo Exhibition
15 November 2013 – 15 January 2014
+ Flickr Photo Set
Production: Alina Bucur
MNAClab: Larisa Sitar
4 November 2013 • 17:37 Comments Off
Un acuerdo que materializa lo virtual
Por: Roberta Bosco y Stefano Caldana
04 de noviembre de 2013
El Pais, El arte en la edad del silicio, Madrid, Spain
(authors write also about the work of Igor Štromajer)
3 November 2013 • 12:00 Comments Off
B3 Ultrashot Jury:
– Frédéric Boyer (Artistic Director of the Tribeca Film Festival, New York)
– Eva Paulitsch and Uta Weyrich (Artists)
– Prof. Bernd Kracke (Professor for Electronic Media, President of the Hochschule für Gestaltung – HfG / University of Art and Design Offenbach, Head of the B3 Biennale)
Igor Štromajer receiving the award from the jury members.
Photo: Rudi Weissbeck
+ award ceremony photo album: on.fb.me/1b4W6tz
29 October 2013 • 10:29 Comments Off
5 October 2013 • 16:54 Comments Off
+ Flickr Photo Set: 1:1 Expunction
Azra Akšamija, Julieta Aranda & Anton Vidokle, Jože Barši, Cittadellarte – Fondazione Pistoletto and Michelangelo Pistoletto, The Collection, the Museum and the History presented by Walter Benjamin, Domestic Research Society, Irwin, Isola Art Center, Janez Janša, Janez Janša, Janez Janša, Kontekst Collective, Trevor Paglen, Marko Peljhan, Tadej Pogačar, Marjetica Potrč, Marija Mojca Pungerčar, Raqs Media Collective, Marko Sančanin, Igor Štromajer, Apolonija Šušteršič, Dragan Živadinov :: Dunja Zupančič :: Miha Turšič
“When on a scale of 1:1, art not only describes life, it is one with it.”
Not interested in showcasing art, 1:1 would be better called a stopover for art than an exhibition, since 1:1 art can never be wholly contained in the time frame of an event.
The focus of the 1:1 stopover is the relationship between art and life, and art and institution. When on a scale of 1:1, art not only describes life, it is one with it. This relation can be disrupted by the institution, which is often thought to divorce art from life. Not so, however, when the institution itself tries to establish a similar one-to-one relationship with art by no longer merely representing it, but instead treating it as a partner.