Intima | Igor Štromajer

intimate | low-tech | mobile | guerrilla | emotional communication strategies & para-artistic tactics

Delo: Najsrečnejši umetnik na svetu

Jelka Šutelj Adamič, Delo, Kultura, 2. april 2014

Filed under: Texts, , ,

EatingMy#Self[ie]

Ajda Tomazin & Igor Štromajer: EatingMy#Self[ie]
– public space video (17′ 48″ / loop)
Frankfurt, 2014

Vimeo + YouTube versions

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Filed under: Actions

Artist Talk

a=tF²
To find the art, you multiply the time by the square of the force

Artist Talk / Public Lecture Presentation by Igor Štromajer

Centre for Creative Arts
School of Communication, Arts & Critical Enquiry
La Trobe University, Melbourne, Australia
Thursday, March 20th 2014

Make Love Not Art

Renowned media artist Igor Štromajer to talk at La Trobe

Filed under: Exhibitions

Social Networks as Platforms for Media Art

Social Networks as Platforms for Media Art
– Media Art and Digital Culture Workshop with Igor Štromajer / Masterclass

Centre for Creative Arts
School of Communication, Arts & Critical Enquiry
La Trobe University, Melbourne, Australia
Tuesday March 18th 2014

Filed under: Exhibitions, , , , ,

DE.fragmentation/GRO

DE.fragmentation/GRO

GRO Gallery
FB: GRO galleri, Campus Allegro
Jakobstad, Finland

Exhibition
14 March – 13 April 2014

Artists: Florian Grond, Stefano Marotta, Roberto Russo, Irena Pivka, Brane Zorman, Arjan Pregl, Marcin Ramocki, Christian Rupp, Owen Smith, Igor Štromajer, Joakim Hansson, Tom Kerševan, Jurij Pavlica, Sendi Mango.

Igor Štromajer‘s 0§n–3¦é×F= Miᆠexhibited at the GRO Gallery, Finland.
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Defragmentation is a term which comes from technology. More specifically, it is related to the computer data storage system and concerns the process of rearranging data in order to speed up data retrieval. Upon reflection, this type of optimization simply means a more efficient use of the potential of such a device. Potential is not just something that is planned as part of the product design, it has a maximum, finite value. It is based on specific parameters, and determined only by existing needs and inventiveness/creativity. By rearranging data on the computer disk, thereby taking into consideration the device’s environment and record history, we create new electrical states, which mean a better device and progress in relation to the previous state.

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+ Photos from the opening

The time and space which contemporary art occupies and in which it manifests itself also has potential of its own. The artist applies his or her creativity to rearrange it into different abstract and material structures. It draws upon a limited space and time for the sole reason of causing change in a given and opportune moment. This change is not irrelevant because it signifies progress. In the context of the showcased artworks and artists, defragmentation is therefore a word which highlights the process as something which necessarily improves on the previous state, an invention, art.

Filed under: Exhibitions

Beyond (spectacle) – Episode II

21 February 2014
7.45 PM

Beyond (spectacle) – Episode II
Annie Abrahams and Igor Štromajer

Streaming: Ivan Chabanaud Mosaika.tv
Technical assistance: Jan de Weille
Reader: Laurie Bellanca

Les anormales
Festival Tropisme
La Panacée, Montpellier, France + online

Live stream at www.gaite-lyrique.net

An exercise in collective writing. A performance.

Marionettes / Scripting Reality / On Manipulation / Txt Theater / Public Collaboration Dynamics

+ more details: Beyond (spectacle) & Episode II

+ Flickr Photo Set (27 Screenshots)
+ AniGIF (Screenshots)

Filed under: Actions, , , , , , ,

Bad Art Project

My name is Igor Štromajer. I am a bad artist.

bap

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Filed under: Actions, , , ,

MoTa’s Kitchen

MoTa Museum of Transitory Art
14 February 2014, 8 PM
MoTa Valentine’s Kitchen

– dinner with the artist: Igor Štromajer, Make Love Not Art, projection

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Filed under: Exhibitions

Pixxelpoint 2013

Pixxelpoint Festival 2013
De.fragmentation

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Nova Gorica, 29 November – 6 December 2013

Igor Štromajer‘s 0§n–3¦é×F= Miᆠexhibited at the Nova Gorica City Gallery.

Pixxelpoint 2013 Artists:
Primož Bizjak, Mark Durkan & Eilis McDonald, Florian Grond, Kensuke Koike, Marotta & Russo, Anja Medved, Jani Osojnik, Project59 (Irina Danilova, Hiram Levy, Dan Tuvlosky), Marcin Ramocki, Martin Romeo, Christian Rupp, Lena Lieselotte Schuster, Sašo Sedlaček, Owen F. Smith, Maja Smrekar, Igor Štromajer, Miha Turšič, Špela Petrič, Maja Murnik, Visoka šola za umetnost Univerze v Novi Gorici, Workshops with Pamela Barberi

+ PDF Catalog (Eng/Slo)

Selection:
BridA / Tom Kerševan, Sendi Mango, Jurij Pavlica

+ Pixxelpoint 2013 on Facebook

Filed under: Exhibitions, , , , ,

Curating Your Memory

Curating Your Memory
Curating Your Memory is an evening about deleting, curating and dealing with big data on a personal scale.

V2_ Institute for the Unstable Media, Rotterdam
The Piet Zwart Institute, Rotterdam

V2_: Thursday, 28 November 2013 at 8 pm

v2-1

French philosopher Jacques Derrida made the claim that ‘the mutation in technology changes not simply the archiving process, but what is archivable – that is, the content of what has to be archived is changed by the technology’. What he means is that the style of the content is transformed through new processes and production. Moreover, the relation to time and space created by the fact that within mere seconds one can reach someone in every corner of the world, has also affected the content. Of course this also effects power relations, decision-making and accountability. It is generally known and accepted that archives construct a specific account of history, many things end up in an archive, but even more remains outside, to be forgotten. Questions like who is in charge of an archive, who selects, and for whom is the archive, have been plaguing archives from the beginning. One could argue that the digital accelerates this process, so how to relate to this new situation? What is the value of digital memory and how to deal with big data on a small scale? These questions form the start of an evening with three perspectives.

With Robert Sakrowski, Dragan Espenschied and Igor Štromajer, moderated by Annet Dekker.

This public event is organised by Piet Zwart Institute, Dept of Media Design – Networked & Lens-Based, and made possible with the support of Goethe Institute and V2_.

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Igor Štromajer presenting at the V2_ Institute for the Unstable Media, Rotterdam, 28 Nov 2013, Photo: Sakrowski

Filed under: Exhibitions, Texts, , , , , , , ,

I Am Not Good Enough – MNAC Bucharest

Igor Štromajer:
I Am Not Good Enough / Nu sunt suficient de bun
Artist Talk / Solo Exhibition

National Museum of Contemporary Art, Bucharest, Romania
MNAC – Muzeul National de Arta Contemporana

15 November 2013 – 15 January 2014

English: www.mnac.ro/en/archives/3493
Romanian: www.mnac.ro/archives/3493

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+ Flickr Photo Set
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Production: Alina Bucur
MNAClab: Larisa Sitar

Filed under: Exhibitions, , , , , , , ,

Un acuerdo que materializa lo virtual

Un acuerdo que materializa lo virtual
Por: Roberta Bosco y Stefano Caldana

04 de noviembre de 2013
El Pais, El arte en la edad del silicio, Madrid, Spain

(authors write also about the work of Igor Štromajer)

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elp-nov-13-1

elp-nov-13-2
Colección Reina Sofía. “What was he thinking about? berlin? praha? ljubljana? skopje?” (2000) de Igor Štromajer.

+ read the entire article (in Spanish): blogs.elpais.com/arte-en-la-edad-silicio/2013/11/un-acuerdo-que-materializa-lo-virtual.html

Read the rest of this entry »

Filed under: Texts, , , , ,

B3 Moving Image Biennial – Ultrashort

B3

B3 Moving Image Biennial / Biennale des bewegten Bildes
30 October – 3 November 2013, Frankfurt, Germany

2nd winner: Instagram video Love Without Mercy / Liebe ohne Gnade by Igor Štromajer (category Expanded Narration / Ultrashort)

Love Without Mercy

B3 Ultrashot Jury:
– Frédéric Boyer (Artistic Director of the Tribeca Film Festival, New York)
– Eva Paulitsch and Uta Weyrich (Artists)
– Prof. Bernd Kracke (Professor for Electronic Media, President of the Hochschule für Gestaltung – HfG / University of Art and Design Offenbach, Head of the B3 Biennale)

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- Award / (The Prizes of the B3)

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Award ceremony: on stage with Laurie Anderson, 3 November 2013, Frankfurter Kunstverein.
Photo: Ajda Tomažin

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Igor Štromajer receiving the award from the jury members.
Photo: Rudi Weissbeck
+ award ceremony photo album: on.fb.me/1b4W6tz

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Filed under: Actions, Exhibitions, , , , , , , , , ,

Kje vse je umetniško delo

Kje vse je umetniško delo

Na razstavi Vmesna postaja 1 : 1 v MSUM o umetnosti v njenih realnih razmerjih do časa, življenja, ekonomije, politike in družbe.
– Maja Megla, Delo, kultura, 16. oktober 2013

Filed under: Texts, , , ,

1:1 Expunction

1:1 STOPOVER – Group Exhibition
MSUMMuseum of Contemporary Art Metelkova | Moderna galerija Ljubljana

MSUM

17 October 2013 – 12 January 2014
1to1.mg-lj.si
Curated by Zdenka Badovinac
In collaboration with Maska Ljubljana

Igor Štromajer: Expunction, 2011
www.intima.org/expunction

Bojana Lotte 1:1

+ Flickr Photo Set: 1:1 Expunction

Expunction

Artists:

Azra Akšamija, Julieta Aranda & Anton Vidokle, Jože Barši, Cittadellarte – Fondazione Pistoletto and Michelangelo Pistoletto, The Collection, the Museum and the History presented by Walter Benjamin, Domestic Research Society, Irwin, Isola Art Center, Janez Janša, Janez Janša, Janez Janša, Kontekst Collective, Trevor Paglen, Marko Peljhan, Tadej Pogačar, Marjetica Potrč, Marija Mojca Pungerčar, Raqs Media Collective, Marko Sančanin, Igor Štromajer, Apolonija Šušteršič, Dragan Živadinov :: Dunja Zupančič :: Miha Turšič

“When on a scale of 1:1, art not only describes life, it is one with it.” 

e-flux

1-1_logo

Not interested in showcasing art, 1:1 would be better called a stopover for art than an exhibition, since 1:1 art can never be wholly contained in the time frame of an event.

The focus of the 1:1 stopover is the relationship between art and life, and art and institution. When on a scale of 1:1, art not only describes life, it is one with it. This relation can be disrupted by the institution, which is often thought to divorce art from life. Not so, however, when the institution itself tries to establish a similar one-to-one relationship with art by no longer merely representing it, but instead treating it as a partner.

Expunction

Read the rest of this entry »

Filed under: Exhibitions, , , , , , , , , , , ,

Flickr Intima

German Pop

003

#script

EatingMy#Selfie

Catalog

Sydney

Analog mail distribution system

Koala

Wombats and Kangaroos

More Photos

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Twitter | Igor Štromajer

  • Danes sem bil na obisku v @multikultivator jevem dvorcu: "Mestu, ki ima take producente, se ni potrebno bati za svojo prihodnost!" JB Tito - 6 hours ago
  • Coming from the 2nd part of the meeting @ the best gallery in town. The ego-exhibition opens on 14 May (tons of #OO). intima.org/ego-massage/ - 1 day ago
  • Last night, the three of us were makinglovenotart until the early hours of the morning. Then I became really hungry and emptied the fridge. - 1 day ago
  • Ljubljana: A long meeting with my dearest producer and gallery owner, then a long lunch with old friends. That's what I call home. - 2 days ago
  • Štiriurni intervju s prijateljico Katarino za Sobotno prilogo @vecer. Povedal sem vse, od A do C. Za tisto od Č do Ž nama je zmanjkalo časa. - 3 days ago

| 1995-2007 | 2008-2014 |  www.intima.org

        
        
Igor Štromajer –
Intimate Mobile Communicator


Since 1989, Igor Štromajer aka Intima has shown his artistic work at more than a 120 exhibitions in  60 countries and received a number of international awards. His works are included  in the permanent  collections of  the Centre Pompidou, Paris;  the MNCA Reina Sofía, Madrid;  Moderna galerija, LJ; Computerfinearts, NY;  Maribor Art Gallery.


Deleting www.intima.org Net Art Works


Ego Massage – Ceci n'est pas de l'art






Permanent Collections














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