Intima | Igor Štromajer

www.intima.org | pseudo-/para-art

b.ALT.ica at transmediale 2012

b.ALT.ica
net art work by Igor Štromajer (1998)
is part of the
<collaborative documenting / archiving of netart.activities>
transmediale 2012 installation by Constant Dullaart and Robert Sakrowski

b.ALT.ica (1998–2011) | 169 files: 3.24 MB
Created by Igor Štromajer | Produced by Intima Virtual Base
Courtesy of Moderna galerija Ljubljana – Slovene Museum of Contemporary Arts, Ljubljana, Slovenia
Awarded: 5.000 DM (West German Marks) at COMTECart 99 / CYNETart festival, Dresden, Germany, 1999 (Kunsthaus Dresden and Medien- und Kulturzentrum Pentacon, Dresden); Curator: Klaus Nicolai
First presented at transmediale.99 (Podewill, Berlin, 1999)
b.ALT.ica Expunction | b.ALT.ica Flickr

b.ALT.ica is dedicated to my father, because this is the place where he lives now. | Franjo Štromajer , 1943–1997

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<collaborative documenting / archiving of netart.activities>
#tm2k12 installation by Constant Dullaart and Robert Sakrowski

Understood as a digital repository system, YouTube is used in the <collaborative documenting / archiving of netart.activities> project as a collaborative means of safeguarding ephemeral works of net art. By re-appropriating the existing structure of the video portal, a databank of net art is established, which goes beyond YouTube’s own explicitly intended use.

The archiving process as a whole involves three steps: first, the works are specified in their original, historical hardware and software contexts, with the performance context – understood as the mode of reception – being filmically documented. This video documentation is then uploaded onto the YouTube portal, where it is, in the third and final step, “meta-dated”.

The subjective perspectives of the video documentation and the various individual, often highly specialised, modes of reception are deliberate features of the project. Ultimately the filming of the context, i.e. the mode of reception, the atmosphere created by the historical hardware – the humming of power supplies, the chattering of hard disks, the cracking of monitors, the groans of irritated impatience often heard during waiting times, the fetching of coffee etc. – are just as important to the project as the archiving of source codes and the creation of meta-data.

Initiated by constantdullaart.com & curatingyoutube.net

The installation is realised with the support of Google.

transmediale 2012 | 31 January – 5 February 2012
in/compatible | Haus der Kulturen der Welt, Berlin

Filed under: EXHIBITIONS, , , , , , , , , , , , , ,

Panke.gallery, Berlin / today: cross-stitch patterns / PG1 edition / signed + numbered 
#galleryshop #fleamarket #embroidery 
ㄴ intima.org/embroidery 20 cross-stitch patterns / PG1 – Panke.gallery Berlin edition / signed + numbered / glossy high-quality photo paper 
#galleryshop #fleamarket #embroidery ➡️ intima.org/embroidery Artist at Work ⬇️ℹ️↗️ ◧ ▢ ▣ ▤ ◪ ▥ ▦ ◨ ▧ ▨ ▩ ◫ ▤ ▥ ◩ ▉ ▓ ▒ ░ ▄ █ ▀ ▌ ┗◯▲◯┛ a helium airship under my ceiling 🌫️











      
      

Igor Štromajer aka Intima is a pseudo-/para-artist. He has shown his work at more than two hundred thirty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:

























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