Intima | Igor Štromajer

www.intima.org | pseudo-/para-art

Junkspace / Junkart

Ana Kosi:
Igor Štromajer: intima.org / Expunction, Junkspace / Junkart
v: Prebijanje inercije realnosti – seminar teoretske prakse arhitekture, Fakulteta za arhitekturo, Ljubljana, 2016.

Razstava Krize in novi začetki: Umetnost v Sloveniji 2005–2015, +MSUM

Besedilo je bilo avgusta 2016 objavljeno tudi v reviji Outsider [PDF].
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s-0733/y/0785

s-lo

by !gor & #352;tromajer, 2016
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Caution:

  • Potentially steganographic images/files
  • May or may not contain one or more hidden/concealed files or carrier chains
  • Download and steganalyze at your own risk

You’ve been warned.

s-0733/y/0785

This is not a test: Make your own art. Do not expect me to do it for you. a=tF²

# steganography + tools

s-0733/y/0785

All images: 1600 x 900 pix, 96 dpi, RGB, 8 Bits/Channel

Some image files are password-protected – A(B/C):
s0733y0785

s-0733/y/0785

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Filed under: ART WORKS,

Bad² Art³

https://flic.kr/s/aHskCHWScR

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Filed under: ART WORKS

3D ∺ㄴ⚯

https://flic.kr/s/aHskBSNVaa

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Posta Benandante Project

Posta Benandante Project – Tribute to Piermario Ciani

Collective mail art project / exhibition
— curated by Paola Bristot, Marco Pasian; Associazioni Viva Comix di Pordenone | Porto dei Benananti
11–30 June 2016
Galleria PAB Punto Arte Benandantee, Portogruaro, VE, Italy

Bilbolbul International Festival, Bologna, Italy, opening of the exhibition: 25 November 2016 at 8.30 pm
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+ list of artists

A contribution by Igor Štromajer:

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3¦×Fń–Qé3= Miá†

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3¦×Fń–Qé3= Miá†
— one hundred and one poem
intima.org/3xfnqe3miat.pdf
-oµ4× (PDF, 264 KB)

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Filed under: ART WORKS

intimadotorgslashfuture

intimadotorgslashfuture

internet artwork
intima.org/future
by Igor Štromajer
is for sale for € 12.610,00

future-sell

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What do you get?

– the entire intima.org/future idea/concept (0/zero files, 0/zero folders)
– an original invoice
– all standard ownership rights to the concept/idea of this artwork; possibility to negotiate for further special and specific rights

– [bonus gift, for free] screenshot (browser: Chrome 48.0.2564.116 m) / print of the non-existent website/URL, framed in black, broken front glass, 29,7 ⨯ 42 cm (11.69 ⨯ 16.54 in), hand signed by the artist

Interested?
Still available for purchase!

intima.org/intimadotorgslashfuture

Filed under: ART WORKS, EXHIBITIONS

100 indexdothtml files

Igor Štromajer
100 indexdothtml files

2016

100idhf

www.intima.org/index/001/index.html
www.intima.org/index/002/index.html
www.intima.org/index/003/index.html
www.intima.org/index/004/index.html
www.intima.org/index/005/index.html
www.intima.org/index/006/index.html
www.intima.org/index/007/index.html
www.intima.org/index/008/index.html
www.intima.org/index/009/index.html
www.intima.org/index/010/index.html
www.intima.org/index/011/index.html
www.intima.org/index/012/index.html
www.intima.org/index/013/index.html
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Nadine Bors interviewed Igor Štromajer

(CYNETART) Igor Štromajer also known as Intima was born in 1967 in Maribor. He describes himself as a pseudo-/para-artist. His media art work has been shown at numerous exhibitions and festivals. His first appereance at the CYNETART-Festival was in 1999 and he returned in 2000 and 2007. He teaches at universities and contemporary art institutions worldwide.

Nadine Bors interviewed Igor Štromajer at the European Media Art Festival (EMAF) in Osnabrück about his career, his works and 20 years of CYNETART – International Festival for Computer Based Art.

1999: b.ALT.ica
2000: sm.N – Sprinkling Menstrual Navigator
2007: Ballettikka Internettikka: Stattikka

nbcais

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Make Love Not Art at EMAF 2016

EMAF – European Media Art Festival
Osnabrück, 20–24 April 2016

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EMAF 2016 Official Selection:
Make Love Not Art – Do Not Expect Me To Do It For You
by Igor Štromajer
will be screened on 23 April 2016 at 22:45 at the Filmtheater Hasetor.

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Cinema: Experimental short and feature films, documentaries, music videos, specials, retrospectives.

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This year, the European Media Art Festival queries the importance and impact of strategies for the future. It is taken for granted that the debate on how to shape societies, their economies and cultures necessarily involves looking to the future, creating drafts and scenarios, speculating and having visions. However, it should also be a matter of course to ask: who creates these visions, who could have an interest in the implementation of these plans, and whose purpose do these strategies actually serve?

+ reference: EMAF 2013

Filed under: EXHIBITIONS

Yami-Ichi internetstadl#3, NRW-Forum Düsseldorf

Yami-IchiOffline Geek Flea Market
internetstadl#3

Saturday, 9 April 2016 at NRW-Forum Düsseldorf

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Are you tired of being dependent on the internet and want to return to the physical world? On the occasion of the Night of Museums 2016, the NRW-Forum Düsseldorf will host a Yami-Ichi as its third Internetstadl, where products from the internet will be sold in real life – a kind of offline celebration of online products.

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#embroidery: 25 DIY cross-stitch patterns
by Igor Štromajer

The new monthly series of events Internetstadl offers an introduction to the digital future. The Internetstadl brings together creative and digital pioneers and turns online culture into an entertaining event format. Internetstadl ist curated by Alain Bieber, artistic director of the NRW-Forum Düsseldorf, together with the net artist Florian Kuhlmann and the creator Thomas Artur Spallek.

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At the Offline-Geek-Flea Market objects will change real hands that are otherwise only available online – the offline world as a legal black market. Following Tokyo, Berlin, Brussels and Amsterdam the Yami Ichi, invented by the Japanese artist group IDPW, is now coming to Düsseldorf.

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3¦×Fń–Qé3= Miá†

Igor Štromajer

3¦×Fń–Qé3= Miá†
-oµ4×

one hundred and one poems / PDF, 264 kB
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Filed under: ART WORKS

‪#‎embroidery‬

‪#‎embroidery‬
by Igor Štromajer

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+ Flickr Album (25 DIY cross-stitch patterns)

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2016

Filed under: ART WORKS

Electronic Superhighway (Whitechapel Gallery): Exhibition Catalogue

Electronic Superhighway (2016-1966)
Whitechapel Gallery, London
January 2016

Exhibition Catalogue
— a conversation between musician and media artist Dragan Espenschied and Heather Corcoran (Executive Director of Rhizome) is illustrated with an image of Igor Štromajer‘s work:

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Igor Štromajer: e/motion HELP – is there anybody out there? / Expunction; Net project, screenshot, 1997.

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Paperback, 272 pages, 297 x 200 mm
200 illustrations
ISBN 978-0-85488-246-5
First published 2016

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Fom Experiments in Art and Technology to Art After the Internet

Edited by Omar Kholeif

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Richard Kern: Language, Literacy, and Technology

Language, Literacy, and Technology

Author: Richard Kern, University of California, Berkeley
Cambridge University Press, 2015

(ref.: Igor Štromajer, Oppera Internettikka)

From the origins of writing to today’s computer-mediated communication, material technologies shape how we read and write, how we construe and share knowledge, and ultimately how we understand ourselves in relation to the world. However, communication technologies are themselves designed in particular social and cultural contexts and their use is adapted in creative ways by individuals. In this book, Richard Kern explores how technology matters to language and the ways in which we use it. Kern reveals how material, social and individual resources interact in the design of textual meaning, and how that interaction plays out across contexts of communication, different situations of technological mediation, and different moments in time. Showing how people have adapted visual forms to various media as well as to social needs, this study culminates in five fundamental principles to guide language and literacy education in a period of rapid technological and social change.

www.cambridge.org/de/academic/subjects/languages-linguistics/sociolinguistics/language-literacy-and-technology

Filed under: TEXTS

Preserving Born Digital Art : Lessons From Artists’ Practice

Preserving Born Digital Art : Lessons From Artists’ Practice

Dr. Conor McGarrigle, Dublin Institute of Technology

(PDF)

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██ – microformance

██ – microformance

[ummuu eene, ookko, aaasa]

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Igor Štromajer: ██ – microformance
0,04m³ Gallery, Maribor, Slovenia

[vimeo https://vimeo.com/150236370]
VIDEO: Vimeo + YouTube

Saturday, 26. December 2015 at 18:32

+ Flickr Photo Album

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Igor Štromajer je para-umetnik in intimni mobilni komunikator. Za svoja dela je prejel več nagrad, v svojih stalnih zbirkah pa jih hranijo različne umetnostne institucije, med drugimi Centre Pompidou v Parizu, Museo Reina Sofia v Madridu, Computer Fine Arts Gallery v New Yorku in Umetnostna galerija v Mariboru. Je prejemnik Glazerjeve listine, priznanja za umetniške dosežke mesta Maribor. Raziskuje distopične emocije, ki izhajajo iz nezmožnosti komunikacije, vzpostavlja strategije brezrazložnega upora ter ponuja neuspešne taktike preseganja politične tesnobe. Decembra letos razstavlja tudi na pregledni skupinski razstavi Krize in novi začetki: Umetnost v Sloveniji 2005-2015 v +MSUM (22.12.2015 – 3.4.2016).

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Crises and New Beginnings: Art in Slovenia 2005–2015

CRISES AND NEW BEGINNINGS
ART IN SLOVENIA 2005–2015
– group exhibition

Moderna galerija +MSUM – Museum of Modern and Contemporary Art, Ljubljana
22 December 2015 – 3 April 2016

Curators: Bojana Piškur, Igor Španjol, Vladimir Vidmar

The exhibition aims to present a selective overview of developments just past or still taking place, and attempts to define the main phenomena and trends in contemporary art in Slovenia over the past decade.

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+ Flickr Photo Album | Facebook Photo Album
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Igor Štromajer participating with:

EXPUNCTION
Deleting Net Art Works, 2011

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Memory is there to deceive.

Expunction is a project by mobile Internet communicator Igor Štromajer. Between 11 May and 16 June 2011, Štromajer, a pioneer of net art both in Slovenia and worldwide, ritually deleted a number of his classical net art works produced between 1996 and 2007. He expunged one net art project per day, permanently deleting it from his online server, so that the projects are no longer available at the Intima Virtual Base. He deleted 37 net art works altogether, amounting to 3,288 files or 101.72 MB.

Those of Štromajer’s projects that were not on the Intima Virtual Base online server at the time of expunction but are permanently loaded on the servers of the galleries and museums that have acquired them through purchases or donations (Centre Pompidou in Paris, Ars Electronica Lab in Linz, Computer Fine Arts Gallery in New York, MNCA Reina Sofía in Madrid, etc.) were (and still are) inaccessible to the artist for deletion.

The Expunction project broaches the questions of temporality, duration, archiving, and accessibility of (net) art works that automatically change over time as the hardware and software change (browsers, players, applications etc.), slowly but inexorably losing their functionality and consequently also their content. The artist’s basic premise in this project was that whoever creates, programs, and composes art is also entitled to deprogram, deconstruct, and delete it. This is not an act of violence or destruction, but rather the observation of the natural rhythm of birth, life, and death, cyclically repeated and oscillating in natural amplitudes. In a way, Štromajer has erased history, including his own personal history, since he believes our memory serves to deceive us, to misrepresent rather than paint and describe the past. A deceptive memory can be erased without qualms, since it does not portray a real picture of the past it speaks of, but always only a deceptive, distorted image. For this reason the deleted works or their remaining fragments, undeletable once they have been made publicly accessible since the World Wide Web is so widely spread and fragmentary, tell us much more about the originals (original works) than the originals themselves. With its empty slot and precise documentation, a nonexistent work, or rather its absence, points out the ephemerality of a net art work, telling at the same time much more about the deleted work than the so-called actual original could.

10-mg-e-002

Number of deleted net art works: 37
Number of deleted files: 3.288
Amount of deleted files: 101.72 MB

– Deletion frequency: one (1) net art work per day
– Started: 11 May 2011
– Duration: 37 days (last project deleted on 16 June 2011)
– Subject: net art works by Igor Štromajer, created between 2007 to 1996, were being deleted, erased from the original intima.org server

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Pixxelpoint 2015

Pixxelpoint 2015
OBJECT / PREDMET
16th International Media Art Festival
Nova Gorica (Slovenia), Gorizia (Italy)
27 November – 4 December 2015

pixxelpoint.org
facebook.com/pixxelpoint | Flickr | PDF Catalog

para-curator: Igor Štromajer

pixx-01_2015

Participating artists (A–Z):

003, Ajda Tomazin, Ana Čigon, Annie Abrahams + Martina Ruhsam, Aram Bartholl, Arven Šakti Kralj Szomi, Borut Savski, Cat Leonard, Ciro Múseres, Curt Cloninger, Cym, ČIPke: Sara Šabjan + Monika Pocrnjić, Domenico Barra, Društvo za domače Raziskave / Domestic Research Society, Francis Hunger, Guido Segni, Helene Thümmel, Ienke Kastelein, Jaka Železnikar, Jimpunk, Jos Diegel, Katarina Kogoj, Kim Asendorf, Lenka Klimešová, Maja Smrekar, Majda Gregorič, Marko Batista, Martine Neddam, Mihaela Kavdanska, Nataša Berk, Nina Bric, Nina Kočar, Oliwia Bławat, Paul Hertz, Rajat Sharma, Rene Rusjan, Sally Noall & BridA/Tom Kerševan, Jurij Pavlica, Sendi Mango, Sandra Jovanovska, Snežana Golubović, Špela Petrič, Špela Volčič, Tanja Lažetić, Tatjana Tanja Vujinović Kušej, Teo Spiller, Thor Magnusson, Tina Zadnik, Una Rebić, Uršula Berlot, Volker Hartmann-Langenfelder, Vuk Ćosić

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↓ para-/pseudo-curatorial introduction by Igor Štromajer ↓

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⚒️ Gewerkenegg Castle – The Idrija Municipal Museum 🏴🏳️ ░ ▄ █ ▀ ▌→Ethniioim t ese  a h.rf tyhI oha iyas Itsenoigvri nnntg.dg ',ve nlsyaaen vi i' It's not what you think it is. Just an adjustable #Frankfurt #art #app. 📱 🛥️🏖️⚓🌊🤽👣💦 radio x 91.8 FM, Frankfurt/M: GUNSTradio Computer Poetry Radio Show ▶️ 3¦×Fń–Qé3 = Mià† Live On Air: radiox.de ➡️ Friday, 21 July 2017, 14:00 – 15:00 ➡️ FM 91.8 MHz (Cable: 99.85, DAB+ Channel 11C, Livestream) ▶️ intima.org #radioxfrankfurt ▶️ #breaking: right now on our tiny ⛱️! One of the coolest beach reads this summer: McKW in Slovenian











      
      

Igor Štromajer aka Intima is a pseudo-/para-artist. He has shown his work at more than two hundred thirty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:

























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